Leo Kottke, guitar

Acoustic guitar legend

Leo Kottke is a prolific guitarist and two-time Grammy nominee, with a career spanning more than five decades. He is known for a fingerpicking style that draws on blues, jazz and folk music, and for syncopated, polyphonic melodies.

Kottke was born in Athens, GA, but was raised in 12 different states. He absorbed a variety of musical influences as a child, flirting with both violin and trombone, before abandoning Stravinsky for the guitar at age 11. After adding a love for the country-blues of Mississippi John Hurt to the music of John Phillip Sousa and Preston Epps, Kottke joined the Navy underage, to be underwater, and eventually lost some hearing shooting at lightbulbs in the Atlantic while serving on the USS Halfbeak, a diesel submarine. Kottke had previously entered college at the University of Missouri, dropping out after a year to hitchhike across the country to South Carolina, then to New London and into the Navy, with his twelve string. Discharged in 1964, he settled in the Twin Cities area and became a fixture at the Scholar Coffeehouse in Minneapolis, which had been home to Bob Dylan and John Koerner.

He issued his recording debut LP in 1968, Twelve String Blues, recorded on a Viking quarter-inch tape recorder, for the Scholar’s tiny Oblivion label. After sending tapes to guitarist John Fahey, Kottke was signed to Fahey’s Takoma label, releasing what has come to be called the Armadillo record. Fahey and his manager Denny Bruce soon secured a production deal for Kottke with Capitol Records.

Kottke’s 1971 major-label debut, Mudlark, positioned him, somewhat uneasily, in the singer-songwriter vein, despite his own wishes to remain an instrumental performer. Still, despite arguments with label heads as well as with Bruce, Kottke flourished during his tenure with Capitol, as records like 1972’s Greenhouse and 1973’s live My Feet Are Smiling and Ice Water found him branching out with guest musicians and honing his guitar technique. With 1975’s Chewing Pine, Kottke reached the U.S. top 30 for the second time, and he also gained an international following thanks to his continuing tours in Europe and Australia.

His collaboration with Phish bassist Mike Gordon, Clone, caught audiences’ attention in 2002. Kottke and Gordon followed with a recording in the Bahamas called Sixty Six Steps, produced by Kottke’s old friend and Prince producer David Z.

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Artist Links

Leo Kottke website

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